IN TANDEM v their painful fight for compensation, family members of the Stardust victims campaigned tirelessly to ensure the their love ones would never be forgotten. It would take an ext than a decade prior to successive governments would make good on a promise to provide a permanent memorial to the victims. The campaign to honour the Stardust dead is a story of political inaction, broken promises and also profound disappointment. It is additionally a story of censorship.

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Like so many others, Irish people singer Christy Moore was deeply affected by the tragedy. Despite the countless variety of gigs he had played at home and also abroad due to the fact that his career started in the 1960s, the singer remembers specifically where he to be performing as soon as he heard around the Stardust. At the moment he was a member that the critically acclaimed band moving Hearts, that were playing the very first of 2 concerts in Thomastown, county Kilkenny, on the night the the fire. The band considered cancelling the 2nd show ~ above account the the news however decided to go ahead and donate the proceeds indigenous the gig to the Stardust catastrophe fund. A minute's silence was observed during the emotionally performance.

Christy Moore was renowned for performing socially aware songs that extended topics ranging from Travellers' rights to the conflict in north Ireland. No stranger come controversy, Moore's emotive ballads about the hunger strikes of 1981 had actually been banished indigenous the airwaves. Among his most renowned songs, 'Back house in Derry', was banned ~ the authorities realised it was composed by the late Bobby Sands, who died on hunger strike 3 months after the Stardust tragedy. The reaction ~ above that occasion was no surprised to him. But small did the singer realise exactly how much trouble he would certainly be in over a song about a fire in Artane.

In the results of the tragedy, Moore wanted to compose a track in honour the the Stardust victims. The song's location came about after that heard a mom tell a tv reporter the her daughters went the end one night "but they never ever came home". Moore's acute sense of injustice to be heightened by the reality that the families and also victims had actually yet to receive any kind of compensation for your loss and suffering. By this stage, the Butterlys had cleared up their malicious loss claim versus Dublin Corporation. The irony the the instance was not shed on the singer.

"I used Woody Guthrie's an approach of describing occasions to produce not only a photo of the event, but also the basic inequalities, injustice and also blatant discrimination the still exist in our society," created Moore in his autobiography. "I just heard a mother utter the sentence and also it struck a chord and also convinced me the I necessary to write about this. I composed it due to the fact that I try to compose songs around things that affect me. I'm constantly seeking to express mine anger or mine sorrow or my feeling fun through the points I see about me. I certainly wanted come write about the Stardust because, i suppose, ns felt there was a course thing connected as well."

After enjoying significant success in the 1970s, both as a solo artist and also with the influential traditional Irish group Planxty, Moore struggle the big time in 1984 v his 'Ride On' album. His eagerly awaited follow-up, 'Ordinary Man', to be released throughout the summer the 1985. The Stardust song, 'They never ever Came Home', to be the 2nd last monitor on the album. The record was officially launched in O'Donoghue's pub on Merrion row in Dublin on July 29. Reporter Gene Kerrigan, writing for Magill magazine at the time, noted: "There were good songs ~ above the album however the most deeply felt to be 'They never ever Came Home' – the Stardust song.

Just days after the launch, Clive Hudson of WEA, Moore's document label, got a letter native legal to represent of the Stardust owners. It declared 'They never ever Came Home' remained in contempt of court. That contained, castle contended, a comment on matters still before the courts. The album was already in the shops and had to be receiving substantial airplay ~ above the radio. WEA was required to remind the album from record stores and also contact radio stations, urging them no to transfer the track in instance the allegation of contempt was upheld in court.

Moore was stunned. It had never gone into his mind the the tune would be the subject of a legal challenge.

"In my innocence i didn't have actually the track vetted," that recalls. "We just went for it and I intend that anyone who had heard the song prior to its release assumed that it was telling the truth."

Around 12,000 duplicates of the 'Ordinary Man' album had actually been produced and distributed. It was currently number one in the album charts. 'They never ever Came Home' was additionally the B-side of Moore's latest single, 'Delirium Tremens', which to be number 6 in the irish music charts. In spite of every initiative by WEA, both the album and also the solitary were still obtainable in a variety of Dublin outlets by the time the contempt case came prior to a unique vacation sitting of the High Court on respectable 9, 1985. If Moore found the possibility of a court case stressful, the was much more concerned around the impact it would have actually on the Stardust families. He feared they would think the song exploited their situation. That needn't have worried – countless of the families turned increase in court come express their solidarity v the singer.

"I was scared going into the High Court," Moore later on wrote. "It to be a high-profile case and also I was many concerned, both about the likely outcome and also how the case itself would impact the bereaved families and also the injured survivors. The court to be thronged and also there in the prior seats were many, many families of the lost and the injured who came the end to assistance me. It was a very moving realisation for me."

The High Court action was based upon complaints that the tune would prejudice the result of litigation worrying over 200 compensation cases resulting indigenous the Stardust fire. The application by Eamon Butterly, Scott's foods items Ltd and also Silver Swan Ltd was for an bespeak of attachment for contempt versus the author and singer of the song, Christy Moore; the song's producer, Donal Lunny; and WEA (Ireland), distributors of the record.

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Counsel for the Butterlys, Brian Dempsey, said it was his clients' check out that few of the indigenous of the song interfered with and prejudiced worries which were sub judice (in the food of the trial) and in contention currently before the courts. One lyric complained that went: "Just exactly how the fire started, certain no-one have the right to tell." This was inaccurate and also misleading, grandfather Dempsey argued, together Dublin Circuit Court had figured out that the fire had been started maliciously in the case taken through the Butterlys' companies versus Dublin Corporation. Grandfather Dempsey stated it was additionally inaccurate to state, together the track did, the "hundreds of children are injured and maimed, and also all just due to the fact that the fire exists were chained."

An affidavit native Christy Moore was review to the court stating the the topic of the tune was, in his opinion, a issue of public and social concern. He had been unaware that the subject matter and also the native were capable of prejudicing the applicants' defence in other proceedings. If this to be the case, it to be deeply regretted. However counsel for the Butterlys asserted that the overall effect the the tune was that, through the media and also on the radio, almost everyone in Dublin would concerned know as a identify "fact" the the locking that the doors had actually caused the Stardust deaths.